The Cyberpunk Genre as Social and Technological Analysis
I once taught a Freshman seminar at New York University in Information System Management (ISM). The course was introductory and only two credits, so I felt we needed a focused yet comprehensive set of analytical concepts to shape our discussions and assignments about ISM in the modern world. I decided to use the “cyberpunk” genre […]
How Schindler Used the List
When Schindler’s List (1993) was released, I was living in Wellington, New Zealand. But I caught the film during the winter holidays in Hawaii. When I got back to Wellington, I read the book Schindler’s Ark and wrote this article for the city’s newspaper in anticipation of the movie’s NZ premiere in March. It appeared in The […]
Robin Williams, Dead Poets, and Symbolic Investments in the Virtual Classroom
Like most of us, I was saddened by the loss of Emmy, Grammy, and Golden Globe winning actor Robin Williams. Here is an excerpt from one of my PhD essays, “Dead Poets and the Lawnmower Man,” that drew on the movie, The Dead Poets Society and his excellent performance to investigate virtual reality as an […]
Technologies of Democracy
I’m rereading a book, Technologies of Power: Information Machines and Democratic Prospects by one of my mentors from graduate school. Majid Tehranian was a Professor of International Communications at the University of Hawaii and Founding Director of the Toda Institute for Global Peace and Policy Research. I do believe that it is one of the […]
Revisiting Huxley and Orwell on Technology and Democracy
One of the faces I miss most from my days on the NYU campus is that of Neil Postman, a professor of media ecology at the Steinhardt school. Professor Postman died a few years ago but not without leaving behind a legacy, including one of my favorite books, Amusing Ourselves to Death: Public Discourse in […]
DETERMINING COMPETITIVE ADVANTAGES FOR DIGITAL MEDIA FIRMS, PART 2
In a previous post, I discussed some structural characteristics of competitive advantages for digital media firms. Using the framework laid out in Curse of the Mogul: What’s Wrong with the World’s Leading Media Companies as a point of departure, I was able to extend their analysis of traditional media companies to the more dynamic realm […]
Determining Competitive Advantages for Digital Media Firms, Part 1
In the Curse of the Mogul: What’s Wrong with the World’s Leading Media Companies, Jonathan A. Knee, Bruce C. Greenwald, and Ava Seave provide a general critique of upper media management. The authors argue these moguls are preoccupied with “fantastical factors” that do little to provide high returns on capital, market share stability or shareholder […]
Licensing Creative Properties – Merchandise and Characters
One strategy for digital media growth is the licensing of creative intellectual property, a $150.8 billion industry that is increasingly global. Intellectual property law provides protection for creative content and licensing is required when a desired property such as an animated character is controlled with a copyright, trademark or even a patent. Licensing is giving […]
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About Me
Professor and Associate Chair at State University of New York (SUNY) Korea. Recently taught at Hannam University in Daejeon, South Korea. Moved to Austin, Texas in August 2012 to join the Digital Media Management program at St. Edwards University. Spent the previous decade on the faculty at New York University teaching and researching information systems, media economics, and strategic communications.
You can reach me at:
anthony.pennings@gmail.com
anthony.pennings@sunykorea.ac.kr
About me
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