Anthony J. Pennings, PhD

WRITINGS ON DIGITAL ECONOMICS, ENERGY STRATEGIES, AND GLOBAL COMMUNICATIONS

AI and Remote Sensing for Monitoring Landslides and Flooding

Remarks prepared for the 2024 United Nations Public Service Forum ‘Fostering Innovation Amid Global Challenges: A Public Sector Perspective.’ Songdo Convensia, the Republic of Korea 24 -26 June 2024. Organized by the Ministry of the Interior and Safety (MOIS), Republic of Korea. Thank you very much for this opportunity to address how science and technology […]

Digital Disruption in the Film Industry – Gains and Losses – Part 3: Digital FX Emerges

“To succeed predictably, disruptors must be good theorists.” – Clayton Christensen I had a chance to attend a special showing of The Wrath of Khan (1982), the second Star Trek movie, with my daughter a few years ago at the University of Texas in Austin. It included a live appearance by William Shatner, who starred […]

The Digital Spreadsheet: Interface to Space-Time, and Beyond?

The digital spreadsheet, a visual interface, uses language and numerical information organized for intelligibility and uses media and mathematical formulas to initiate horizontal and vertical causation. The spreadsheet interfaces the conscious agent with space-time and the quantum realm to operate in the space-time reality and to “summon” new realities through the acts of writing and measurement.

The Expanse: Cyberpunk in Space

The 4 Cs of Cyberpunk is a framework to conduct a genre inquiry and build knowledge by addressing the categories and letting them discipline the investigation. I’ve been using it more to develop a socio-technical analysis develop a socio-technical analysis of various tech products in areas such as AI, energy, biochemistry, nanotechnology, robotics, and even space travel. Still, in this case, I’m using it for traditional genre analysis to get a sense of where science fiction is guiding our imagination. What is it saying about who we are and where we are heading as a civilization?

The Techno-Epistemology of Databases, Part I

Techno-epistemology refers to knowledge produced, categorized, and certified within a particular technological context. In particular, it asks how the characteristics of the technology shape the ways of perceiving, recording, and organizing knowledge. Database technology and management are at the nexus of systematizing knowledge in the organization.

Analyzing YouTube Channels

We are pushing the realms of media analysis here by taking film and television studies and applying it to a new visual medium – YouTube.

Symbolic Economies in the Virtual Classroom: Dead Poets and the Lawnmower Man

This post examines two films that address the production of modern educational spaces and subjectivities. Through them we can begin to figure the symbolic and energetic configurations in the “virtual classroom” and other technological environments for learning and training.

Building Dystopian Economies in Facebook’s Metaverse

Strangely relevant to the new emergence of virtual environments like Facebook’s Metaverse, the talk was held in downtown New York City at the Woolworth Building, known as the “Cathedral of Commerce” when it was built in 1913. The location was strangely appropriate given the topic, a wrap-up of a year-long project at New York University on Second Life. The project involved an animation class taught by Mechthild Schmidt-Feist, and my class, the Political Economy of Digital Media. I still have the tee-shirt my students gave me that says “Got Linden?” a reference to Second Life’s currency, the Linden.

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  • About Me

    Professor at State University of New York (SUNY) Korea since 2016. Moved to Austin, Texas in August 2012 to join the Digital Media Management program at St. Edwards University. Spent the previous decade on the faculty at New York University teaching and researching information systems, digital economics, and strategic communications.

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    apennings70@gmail.com
    anthony.pennings@sunykorea.ac.kr

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    The opinions expressed here do not necessarily reflect the views of my employers, past or present.